Mac discusses experience of starring in Sarah Ruhl’s show and the projects waiting in the wings.
McKay discusses the connections between his two latest performances.
Rohrwacher and O’Connor discuss the ethereal qualities of the film’s main character.
The filmmaker discusses his approach to depicting the present day as a historical moment.
Chernov discusses what guides his camera, Russia’s weaponization of disinformation, and more.
Manning Walker discusses what different audiences have made of the film’s ambiguities.
Avilés discusses why it’s important to be in touch with a collective consciousness.
Sayles discusses how his 1996 neo-western noir speaks to the present political climate.
Gálvez discusses why his feature-length debut always had to exist within the western genre.
Durkin discusses his approach to genre and the film’s thematic overlap with his prior work.
Friedel discusses how the film’s unconventional shooting style informed his performance.
Wenders discusses how Kiefer’s work informed the craft of Anselm and more.
Wiseman discusses how his latest documentary relates to frequent fascinations in his work.
Haynes discusses the repetitions that abound in the film and the search for emotional truth.
Borgli discusses his beef with the advertising industry, Nicolas Cage’s iconography, and more.
Moreno discusses his influences, the pandemic’s effect on the film’s point of view, and more.
Reggio discusses the film’s overarching philosophy, the construction of its images, and more.