Despite their short runtimes, many of the songs on the album still manage to pack a punch.
To celebrate Annie Clark’s latest release, we’ve ranked all eight of the musician’s studio albums.
From Taylor Swift to The Tortured Poets Department, we’ve ranked all of the singer’s studio albums.
St. Vincent All Born Screaming Review: A Playful and Ferocious Tribute to Art and Nature
A visceral examination of art and nature when both are pushed to the brink.
A live album that revisits its source material with even more grit and grime.
The album sustains a vibe that’s melancholic without sacrificing hooks, but its minimalism undercuts the singer’s strengths.
The band creates an undercurrent of anxiety with mismatched rhythms, drum fills, and subtle dissonance.
The effects-laden video takes a page from Poor Things and Severance.
The album gives voice to female rage in a way that finds truth in the ugliness.
We took a look back at the singer’s evolution as an artist and ranked all of her albums from worst to best.
The album mostly pushes forward in a way that jettisons its capacity for introspection.
Maggie Rogers Don’t Forget Me Review: A Breezy, Contemplative Soundtrack for the Open Road
The album captures the freedom of hitting the open road and the dizziness of moving on.
The album is a landmark provocation that dares the country music establishment to look itself in the eye.
Memories of the Black Keys as a scuzzy, basement-dwelling DIY blues-rock duo have long since faded.
The band once again demonstrates their knack for vibe-setting but struggles to captivate.
This is a band magnetically pulled toward the sounds, images, and aesthetic that define them.
Future seems content to be set dressing for Metro Boomin’s elaborate production.