The dance-pop artist proved she’s a charming performer at the Anthem on Monday night.
As the album’s title indicates, things aren’t so hot in the rapper’s world.
The film makes it abundantly clear from the get-go that the people are the problem.
A certain high-low mishmash is on display throughout the artist’s Choke Enough Tour.
The singer goes to great lengths to make the bleeding-heart bearded-guy shtick work.
The film creates an ouroboros where the future and the past circle back on one another.
The duo set about redefining the term “cacophony” at their pre-Hallow’s Eve show.
The album finds Kevin Parker still selling himself as a something of an underachiever.
Tiller locks into a slipstream where rapping and singing merge in a melodic, forceful flow.
The album is charming both because of and in spite of its rowdy pugnacity.
Throughout the film, Okuyama spins poetry from seemingly inconsequential moments.
The album explores loss and loneliness, but Dev Hynes finds ways to break through the fog.
The album is long and messy, but it demonstrates the rapper’s staggering range.
Earnest and quietly distraught, the album is the musician’s most starkly realized effort.
Lennox’s latest is his attempt at crafting something in the key of Jimmy Buffet.
The album is the result of what happens when introverts discover the power of the guitar.
The album presents an artist learning to find strength in near-constant movement.
The singer battles ideas of what she thinks she wants with what her behaviors demonstrate.
The album serves as a devotional text—a shrine really—to sex and non-monogamy.
For better and worse, the rapper’s fourth studio album is the personification of despair.