Travis Knight’s film is keen to get audiences to laugh at it instead of with it.
This is an idiosyncratic debut by a fiercely independent artist eager to take on the world.
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The film often strikes the right balance between loony satire and heartfelt commentary.
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The film finds pitch-black humor, tragedy, and horror in a series of asides and digressions.
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The Argentine filmmaker discusses the process of capturing her main character’s subjectivity.
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Though the album is consistent in its moody menace, it charts too-familiar territory.
The album is a deliriously silly, sneakily sturdy blast of Euro-rave pop.
The clip was directed by Christian Breslauer and shot by Janusz Kamiński.
Riley discusses how he views boosting as inherent to capitalism.
The series has morphed from a “social experiment” into TV’s most complex competition.
The play is a metaphor for a life in the arts, though also possibly love, or living a purposeful life.
This musical is more visually jaw-dropping and effortlessly cool than it has any right to be.
The script is sturdiest when fully focused on the all-important central friendship.