The film is a tough character drama with a mournfully humanist center.
The film is sure to be the fastest entry into the genre canon since Mad Max: Fury Road.
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Adam Shankman’s daffy disaster comedy suggests Airplane! by way of Sharknado.
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Koepp discusses working with Spielberg and what he hopes viewers will take from the film.
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There’s a lived-in quality to Promised Sky that’s evident from its opening scene.
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The star-studded “cinematic experience” made its debut at Tribeca Film Festival last week.
The song marks the singer’s return to the country music genre.
Though the album is consistent in its moody menace, it charts too-familiar territory.
Suzuki discusses his influences and process, his kinship to his main character, and more.
The series has morphed from a “social experiment” into TV’s most complex competition.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.
The play is a metaphor for a life in the arts, though also possibly love, or living a purposeful life.