Adam Shankman’s daffy disaster comedy suggests Airplane! by way of Sharknado.
There’s a lived-in quality to Promised Sky that’s evident from its opening scene.
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The film is devastatingly vital, just as much now as it was at the time of its making.
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Suzuki discusses his influences and process, his kinship to his main character, and more.
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This is an idiosyncratic debut by a fiercely independent artist eager to take on the world.
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The star-studded “cinematic experience” made its debut at Tribeca Film Festival last week.
The song marks the singer’s return to the country music genre.
Though the album is consistent in its moody menace, it charts too-familiar territory.
The Argentine filmmaker discusses the process of capturing her main character’s subjectivity.
The series has morphed from a “social experiment” into TV’s most complex competition.
The show is at its best when it examines the questions that Susanna Kaysen did in her memoir.
The common refrain this season has been one of despair, of theatrical death by dearth.
The play is a metaphor for a life in the arts, though also possibly love, or living a purposeful life.